/Institutions/Connecticut-College/json/2023-2024/Catalog-local.json
/Institutions/Connecticut-College/json/2023-2024/Catalog.json
Contents
Mission Statement
Academic Calendar 2023-2024
Areas of Study
Degree Requirements and Academic Regulations
Notice of Nondiscrimination & Title IX Policy
Academic Affairs
Non-Traditional Programs
General Information
Trustees, Faculty, and College Leadership
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2023-2024 Catalog
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Courses
> THE - THEATER
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THE - THEATER
THE 102
CC: GREEK MYTHOLOGY IN PERFORM
THE 104
ACTING I: PREPARATION
THE 110
THEATER TECH & DESIGN PROCESS
THE 199
CC:THEATR OF THE AIDS EPIDEMIC
THE 200B
QUEER PERFORMANCE
THE 203
ACTING THE SONG: CABARET
THE 204
GREEK TRAGEDY
THE 206
VOICE FOR THE ACTOR
THE 212
PLAYWRITING: EXPOS TO THE ELEM
THE 213A
THEATER LAB: PRODUCTION CREW
THE 213B
THEATER LAB: PRODUCTION CREW
THE 215A
THEATER LAB:ADVANCED PROD CREW
THE 215B
THEATER LAB:ADVANCED PROD CREW
THE 217A
THEATER LAB:MSTAGE PERFORMANCE
THE 217B
THEATER LAB:MSTAGE PERFORMANCE
THE 220
GREEK THEATER AND ADAPTATION
THE 222
ANCIENT COMEDY
THE 223
CLOWNS, COMEDY, AND IMPROV
THE 224
THEATER FOR YOUNG AUDIENCES
THE 225
THEATERMAKING 2
THE 226
DIRECTING I:COACHING THE ACTOR
THE 229
VOICE AND PRESENCE
THE 231
USA PLAYS/AMERICAN DRAMA
THE 235
CC:O'NEILL:THEATER REVOLUTNARY
THE 241
THEATER AND CULTURE I
THE 242
THE BUSINESS OF THEATER
THE 243
STAGE MGMT: THE HEART OF IT
THE 244
LIGHT: INTENSITY AND TIMING
THE 245
DESIGN AESTHETICS
THE 246
SET DESIGN: ENVIRNMNT FOR PERF
THE 247
COSTUME DESIGN AND CONSTRUCTN
THE 248
MEDIA IN PERFORMANCE
THE 249
SOUND DESIGN
THE 250
ACTOR'S CRAFT: THE MONOLOGUE
THE 251
ACTOR'S CRAFT:SHAKESPEARE SOLO
THE 252
ACTOR'S CRAFT: THE READING
THE 255
MICHAEL CHEKHOV TECHNIQUE
THE 262
DANCERS ACT/ACTORS DANCE
THE 264
SHAKESPEARE'S COMEDIES
THE 265
SHAKESPEARE: TRAGEDY/HISTORY
THE 266
CC: PERFORM DIFF AMER MUSICAL
THE 268
DRAMATURGY
THE 275
ACTING COMPANY: THE PROJECT
THE 276
MUSICAL THEATER ENSEMBLE
THE 277
ACTING COMPANY: THE PRODUCTION
THE 278
SPECIAL PROJECTS IN THEATER
THE 289
CC:THEATR OF THE AIDS EPIDEMIC
THE 291
INDIVIDUAL STUDY
THE 292
INDIVIDUAL STUDY
THE 294
THEATERMAKING WKSHP/SEM SERIES
THE 296
FIELD WORK
THE 297
HISTORY OF WESTERN DRESS
THE 299
ART OF PROTEST
THE 301
DIRECTING II: BUILDING CONCEPT
THE 303A
PAIN/VIOLENCE IN RENAISS DRAMA
THE 310
GEND ISSUES IN CONTEMP PERF
THE 312
ADV PLAYWRITING:THE WORKSHOP
THE 313A
THEATER LAB:PROD APPRENTICESHP
THE 313B
THEATER LAB:PROD APPRENTICESHP
THE 315A
THEATER LAB: PROD LEADERSHIP
THE 315B
THEATER LAB: PROD LEADERSHIP
THE 316
THE SOLO PERFORMANCE EVENT
THE 322
ADV ACTING: THE REALISTS
THE 323
ADV ACTING: HEIGHTENED TEXT
THE 324
ADV ACTING: SHAKESPEARE
THE 325
THEATERMAKING 3
THE 329
PROJECTS IN PERFOR AND TECHNO
THE 330
THE PRODUCTION PROCESS
THE 331
SHAKESPEARE IN PERFORMANCE
THE 333
ADVANCED COMEDIC STUDIES
THE 340
SEMINAR IN THEATER
THE 340B
THEORIES OF PERFORMANCE
THE 340C
HISTORY OF THE AVANT-GARDE
THE 340E
SEM: PERFORMANCE STUDIES
THE 341
THEATER AND CULTURE II
THE 343
ADVSTAGE MGMT: THE HEART OF IT
THE 346
SHAKESPEARE'S COMEDIES
THE 347
SHAKESPEARE: TRAGEDY/HISTORY
THE 350
INTERNATIONAL ARTS' DESIGN
THE 355
HIT THE ROAD JACK: TOURING
THE 362
CORSETS AND CRINOLINES
THE 368
DRAMATURGY
THE 370
MODERN DRAMA
THE 378
SPECIAL PROJECTS IN THEATER
THE 391
INDIVIDUAL STUDY
THE 392
INDIVIDUAL STUDY
THE 399
THEATER OF THE AIDS EPIDEMIC
THE 430
CONCENTRATION PROJECT
THE 491
INDIVIDUAL STUDY
THE 492
INDIVIDUAL STUDY
THE 494
SENIOR CAPSTONE SEMINAR
THE 497
HONORS STUDY
THE 498
HONORS STUDY