Graduate

The proseminar provides a common experience for entering students, facilitates exchange of ideas and approaches to literary and extra-literary texts, critical issues, and theoretical problems. It focuses on broad aspects of the history of theory and criticism, on the students' critical writing, and on aspects of professional development.

Provides training for graduate students in university-level pedagogy in general and in the pedagogy of literature specifically. Coordinated by a graduate student who has had substantial experience as a teaching assistant, under the supervision of a faculty member.

Student receives credit for attending a designated number of freestanding lectures, colloquia, symposia, or conferences during the term and reports orally, or in writing, to instructor. Enrollment restricted to graduate students.

Focuses on selected texts or authors in literature and/or theory. Students meet with instructor to discuss readings and deepen their knowledge on a particular author, critic, theorist, or text.

Introduces the methods and practice of dissertation writing and publication in literature. Workshop format. Meets one hour per week.

Reinforces writing and revision skills in the discipline of literary and cultural criticism and theory, covering various genres of writing in the profession. Designed for students preparing for QE or dissertation work. Workshop structure.

Considers literary canon formation through the lens of neglected or lost works by authors otherwise considered peripheral because of their language, cultural tradition, or regional affiliation.

Course topic changes; see the Class Search for current topic.

Examines a particular historical period or literary movement. Course topic changes; see the Class Search for current topic.

Investigation of English language literature which transcends national boundaries. Course topic changes; see the Class Search for current topic.

Explores issues arising in both the modern practice of criticism and in writings on the theory of criticism. Course topic changes; please see the Class Search for current topic.

A survey of 20th-century narratology, emphasizing structuralist and poststructuralist theories of narrative.

A critical examination of feminist and related theories (queer, critical race, post-humanist) and criticism in historical and culturally specific contexts.

Course topic changes; see the Class Search for current topic.

Focuses on modernism and the intellectual and social forces which help illuminate that period. Considers concepts by which the innovative tendencies in 20th-century modernist literature and arts have been theorized and periodized, including high and late modernism, avant-garde and experimental, and the concept of global modernisms.

Examines history, tragedy, and early science as ways of representing human experience in the Western canon. Topics include truth claims and questions of evidence, the nature of historical events, and tragedy as a political medium.

In-depth examination of a topic in Early Modern Studies. Course topic changes; see the Class Search for current topic.

This course will examine primary texts and interpretations, both fictional and archival, of the encounter between western Europe and non-European populations affected by European expansion from the 15th through the 18th centuries.

Focuses on work of a single author in literary historical and/or historical context. Course topic changes; see the Class Search for current topic.

Global theories of history and cultural production. Course topic changes; see the Class Search for current topic.

The course topic changes; see the Class Search for the current topic.

A combined seminar and creative-writing workshop with a concentrated focus on a particular problem, aspect, or genre of poetry or prose writing. Includes reading and analysis of selected texts with critical responses and creative writing. Explores the productive interaction between various practices of scholarship and creative invention. The course topic changes; please see the Class Search for the current topic.

In this graduate-level, multi-genre course, students develop their own creative projects of publishable quality under the guidance of the instructor.

An in-depth examination of one genre of French literature. Course topic changes; see the Class Search for current topic.

In-depth examination of one period of French literature. Course topic changes; see the Class Search for current topic.

The implications of social and political change examined in terms of literary theory and practice. Equal emphasis placed on literary and other kinds of cultural texts: historical, political, cinematic.

A study of texts written in French-speaking cultures: Belgium, Canada, Africa, the Caribbean.

Examination of topics within German literature. Course topic changes; see the Class Search for the current topic.

Reading proficiency in Italian is required. Close examination of a topic in Italian literature and culture. Course topic changes; see the Class Search for current topic.

Concentrates on the study and analysis of Miguel de Cervantes' major work Don Quijote, with a three-part structure: life and literature in Don Quijote; Cervantes-the father of the modern novel; and madness and ingenio in Don Quijote.

Study of 1) the writings (chronicles, memoirs, diaries, letters) comprising European and indigenous accounts of the encounter and indigenous, criolla, and mestiza writings during the colony; and 2) the re-writings of these events in contemporary post-colonial novels.

Course topic changes; please see the Class Search for the current topic.

Analyzes contemporary writers who fictionalize the phenomenon of the conquest of the Americas. These authors, who combine chronicles, biographies, and accounts with fiction, offer an imaginative way to view history.

Emerging from a Europe in crisis, this 20th-century avante-garde movement opened a space in Latin/o American literature for the emergence of a post-western aesthetic exploring a cultural identity in difference. A deconstruction of vanguardismo, lo real maravilloso, lo fantástico, lo mítico-antropológico, and realismo mágico.

Theories of space/place poetics and politics, and the literary and visual re-presentations of urban spaces in Latin/o America. Questions of identity and location in modernist poetics, and the ways difference (gender, ethnicity, and sexuality) inhabit and imagine the post-modern lettered city.

Contemporary Spain through the camera of Pedro Almodovar from transgressive enthusiasm, experimentation, and cultural disobedience of the 1980s to more universal themes of human nature and borderline experiences in the pursuit of love, relationships, beauty, and art.

Course considers the process of globalization as it has affected Spain in the last ten years. Through the study of a variety of cultural texts, it explores the challenges presented to national identity and the emergence of new subjectivities and collective identities.

Overview of contemporary theoretical issues in Latin American cultural critique. Course topic changes; please see the Class Search for the current topic.

Analyzes the relationship between Latin American cultural products and their cultural, economic, and political contexts. The course topic changes; please see the Class Search for the current topic.

Independent study formalizing the advisee-adviser relationship. Regular meetings to plan, assess, and monitor academic progress and to evaluate coursework as necessary. May be used to develop general bibliography of background reading and trajectory of study. Students submit petition to sponsoring agency. Enrollment restricted to graduate students.

Individual study with a professor in the creative/critical concentration. Written work is required. Students submit petition to sponsoring agency. Enrollment restricted to graduate students.

Directed graduate research and writing coordinated with teaching of undergraduates. Students submit petition to sponsoring agency. Enrollment restricted to graduate students.

Study of literature in English or English translation. Directed reading that does not involve a term paper. Students submit petition to sponsoring agency. Enrollment restricted to graduate students.

Speaking, reading, and writing proficiency in French, German, Greek, Italian, Latin, Spanish, or other non-English language required. Directed reading which does not involve a term paper. Students submit petition to sponsoring agency. Enrollment restricted to graduate students.

Study of creative writing. Directed reading that does not involve a term paper. Students submit petition to sponsoring agency. Enrollment restricted to graduate students.

Study of literature in English or English translation. Students submit petition to sponsoring agency. Enrollment restricted to graduate students.

Speaking, reading, and writing proficiency in French, German, Greek, Italian, Latin, Spanish, or other non-English language required. Directed reading which does not involve a term paper. Students submit petition to sponsoring agency. Enrollment restricted to graduate students.

Study of creative writing. Students submit petition to sponsoring agency. Enrollment restricted to graduate students.

Speaking, reading, and writing proficiency in French, German, Greek, Italian, Latin, Spanish, or other non-English language required. Students submit petition to sponsoring agency. Enrollment restricted to graduate students.

Students submit petition to sponsoring agency. Enrollment restricted to graduate students.

Thesis Research

Thesis Research